Originally shot on a cement floor, the image was retouched to appear shot on a street, and the stenciled letters were changed from yellow to blue over yellow to simulate the actual start line of the Boston Marathon.
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Originally shot on a cement floor, the image was retouched to appear shot on a street, and the stenciled letters were changed from yellow to blue over yellow to simulate the actual start line of the Boston Marathon.
Roll over the image to reveal the original
Originally shot on a cement floor, the image was retouched to appear shot on a street, and the stenciled letters were changed from yellow to blue over yellow to simulate the actual start line of the Boston Marathon.
Roll over the image to reveal the original
Andrew teamed up with design director Hector Sanchez to create the cover image for this commemorative magazine in a coordinated effort with the NFL and NASA. Shown above is an automated slideshow case study of this photo composition from start to finish.
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Supplied art from Hawk Krall was superimposed onto a stock cookie bag image, then the bag was colored and had effects added to create a mock product for the cover story. Shown above is an automated slideshow case study of this photo composition from start to finish.
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The source image was retouched and color-corrected, with the rug, background and pool in the foreground added. The woman's arm position was also changed. Shown above is an automated slideshow case study of this photo composition from start to finish.
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The source image was retouched and color-adjusted. Then water splashes and droplets were imported from outtake shots to create the splash effect, demonstrating the water-resistance of the fabric. Shown above is an automated slideshow case study of this photo composition from start to finish.
Several images were combined, retouched and color-adjusted to create this image of radio host Dan Dakich in a sound-proof booth. Shown above is an automated slideshow case study of this photo composition from start to finish.
Roll over the image to reveal the original
Roll over the image to reveal the original
In 2014 Andrew collaborated with artists Peter Sullivan and John Kenzie to create an Exquisite Corpse. An Exquisite Corpse is a collection of words or images that is assembled by different artists and authors. Invented by the French Surrealists in the 1920s, this type of art became a popular parlor game and demonstrates how collaboration reveals new ideas and inspirations. In this instance, each artist contributed a different section of the "corpse", here depicted as a World War II Veteran. Each section was done in the artist's own style and without knowledge of the appearance of the other sections, just the ending point of the previous section. Andrew contributed the torso, made of a photo collage of WWII era photos over an illustration.
The final piece was shown with other corpses at the Surrealism and War exhibit at the National Veterans Art Museum in Chicago.
The client requested a unique composition of her family in front of their home; the design is based on Martin Mull's painting, Sanctuary. Shown above is an automated slideshow case study of this photo composition from start to finish.